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Behind the Scenes with Asheville Author Celia Miles

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Asheville author Celia Miles
Celia Miles is one of Mountain Made’s most prolific novelists. She has over 8 books on our shelves yet she considers herself to be a “nicheless author” since she has written everything from technical manuals to novels to short stories and anthologies.

Celia is a native of Appalachia, born in Western North Carolina, and, except for brief stints in Massachusetts and Virginia, plus college in Kentucky and Pennsylvania, has lived here all her life. A long-time English instructor at Asheville-Buncombe Technical Community College, she is retired and living in Asheville.

In addition to freelance editing and writing in various genres since her retirement, she somehow makes times to travel to renew her love of old grist mills, and Neolithic sites, especially stone circles.

Below is Celia’s story … it the first Q&A interview we have done in our “Inside the Artist’s Studio” series.

As a child, what did you want to do when you grew up?

As a child I couldn’t exactly visualize an adult career but I was sure it wouldn’t be housewifely-domestic  since  I read a lot and avoided kitchen and cleaning duties by being outdoors or having my “nose in a book.”

Asheville author Celia Miles Reading with nose in a book

Celia Miles Reading (with nose in a book)

In high school I wrote a novel on Blue Horse notebook paper—set in faraway places with strange sounding names with handsome heroes and beautiful heroines. Fantasy land. And I ended up being a college English teacher!

When did you first realize you wanted to be a writer?

I started writing fiction in the late 1990s, taking courses at AB Tech in “Writing the Romance Novel,” (and produced two sweet romances set on an herb farm), “Writing the Natural Way” (and started Mattie’s Girl: An Appalachian Childhood), “Writing the Novel” (put Mattie’s Girl pieces together).

Along the way I wrote for the confession market, short stories, and some articles and poetry.  Since I’d co-authored a technical writing textbook, it was difficult to rid myself of the teacher syndrome of censoring creativity by fretting about correctness.

I still wear the editor’s hat—but only as a separate aspect of writing—a necessary aspect but sometime stifling in creating.

NOTE:  Celia along with fellow author Nancy Dillingham, were co-editors and contributors, on the 241-page anthology CLOTHES LINES: stories and poems from 75 western North Carolina women writers.

Dillingham_Nancy_Miles_Celia_ClothesLines-1

Editing while writing is like constantly putting on the brakes when you’re going full speed ahead.  So, once I found I could “write the natural way,” and self-publish, I’ve written three other novels: two historic and one contemporary, plus two collections of short stories.

How long does it take you to write a book?

About a writing schedule, it’s sporadic and haphazard, around the edges of other things, but once I start I write rapidly and repair/edit/check for consistency in names, dates, eye color, whatever later So I enjoy writing and editing—as different components of publishing.

What would you say is your interesting writing quirk?

An interesting writing quirk? I find I work well surrounded by clutter and coffee—and sometimes music.

2sarrandasheart

 

sarranda1

Writing [my novel] , I played “Hard Times Come Again No More” constantly and with the sequel, “Sarranda’s Heart,” I played “How Can I Keep from Singing.” The songs’ motifs reflect the novels’ themes.

Where do you get your information or ideas for your books?

Write about what you know or love or want to learn about—that’s always said in “Tips for Writers” articles.

I guess I do that:  my interest in old grist mills shows in three novels, plus, of course, my mystery; Neolithic sites and stone circles intrigue me, and “Journey to Stenness” is set near one in the Scottish island of Orkney and so it goes.

I don’t think I could write science fiction or gory thrillers.

What do you like to do when you’re not writing?

When I’m not writing or loafing, I visit and photograph old mills, stone circles, make photo cards—and read.

You have written several historical novels in the past. Why did you decide to write a mystery this time?

I’ve always read mysteries (literary, cozy, thrillers) but had never tried to write one, so “The Body at Wrapp’s Mill” was a challenge—in response to the national challenge in November 2013 to write a novel in November.

BodyatWrappsMill

I started—and finished the “required” 50,000 words and then kept on going—and edited later—and published in November 2014.

Somewhere around page 132 I realized I was having fun but I didn’t even know who the victim was. So I got serious.

Now I think I have a credible sleuth (a teacher who quit to become a mill restoration consultant) and maybe a sequel or two.

What was one of the most surprising things you learned in creating your books?

One of the surprising things I’ve realized in writing novels is that if I get my characters to talking, the plot develops from there. I

don’t always know where it’s going—that’s the fun part, though the mystery genre has certain expectations and so I had to do some directing of the plot—that ’s the hard part.

What do you think makes a good story?

What makes a good story? For me: likeable, believable characters and a plausible story line that engrosses, appeals to the “better self,” and it doesn’t hurt that some sentences are so well written as to be savored.

Lately, having read two best-sellers that I disliked intensely, I realized that there has to be, again, for me, some redeeming quality in the characters, actions, or outcome.

Mysteries, of course, are never left totally unsolved—readers expect that the  good/right to prevail if not without disaster or harm. There is much to be said for that expectation—in life and fiction.

Do you hear from your readers? What kinds of things do they say?

The readers I hear from are uniformly kind, even if they pick up on some problem, and they usually say, “When’s the sequel?” I take that to mean I have said enough to satisfy the need for resolution and left enough unsaid to warrant the next book.

And just like her readers, we here at Mountain Made are looking forward to her next book, too!

We invite you to come by the gallery to browse our selection of Celia’s books — or if you are in a rush or live out of town her books are always available online in our estore.

3 Comments

  1. Martha O'Quinn

    Sometimes you meet a person and you just click – you’re comfortable with them, like you’ve known them your whole life and you don’t have to pretend to be anyone or anything. ~ Alexandra Ardonetto ~ The quote sums up my feeling when in Celia’s company and the feeling I receive when I read Celia’s books. Marcy Dehanne, protagonist in her latest book, “The Body at Wrapp’s Mill” is just one example.

  2. Patricia barkman

    Dr . Celia MIles is a terrific story teller and person
    Her gift for writing, her turn of phrase, her intriguing plots have kept me reading one book of hers after another.

  3. Celia Miles

    Of course I love the interview–as I love Mountain Made and appreciate what it does for the arts and creative people. I laud it as Asheville’s premier gift shop.

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